In your work, is the pre-Holocaust world like a fairy tale or a metaphor, the way money is for Balzac, snobbism for Proust, sex for Moravia? I mean, every writer describes the world with the particular obsession that is his metaphor, but then-
APPELFELD
I am not writing in metaphors. I am writing about catastrophes.
INTERVIEWER
Catastrophes?
APPELFELD
Yes. And what they do to the human soul. Because, generally, literature deals with civility, civilian life, homes, stability. With eating and sleeping, with loving.