🎨 Colorist Newsletter #475

Published: Sun, 03/14/21

Issue CDLXXV: The Pi Edition
The Tao of Color Grading Newsletter
Curated links of news, reviews, thoughts, career advice, and humor for professional Video / Film Colorists & Finishers. Delivered Sundays.
From The Publisher
Happy 3.14 Day (otherwise known as Pi Day)! Since Junior High, I've always enjoyed this day - named after my initials. It's even more special this go-around since it falls on a Sunday and I get to share it with you!

On the other hand, I won't have a day off until next Sunday so I'm going to release you from reading my intro (and release me from writing it), and let's just move along to the Newsletter, shall we?

Happy Grading!

I'll see you next Sunday.
(and remember - if you have a story that's a fit for this Newsletter, hit reply or email it to '[email protected]'! Include a quick reason for the suggested link.)

- Patrick Inhofer
Colorist | Publisher | Coach

Join the 'Color Cartel' Protein Folding Team - Rosetta@home allows you to donate the spare CPU cycles of your rig to the scientific fight against coronaviruses and cancers! The Tao Newsletter's Color Cartel is a Top 5% team and climbing. Join Rosetta@home, set up an account, start 'folding', and connect to The Color Cartel team.
The Craft
Featuring the work of creative craftsmen, the theory of color, and industry news. Learn practical workflows, useful theories, and actionable insights from existing (and emerging) leaders and teachers in our industry.

There are interesting events being held around ICD in various countries. From evaluating the use of light and color of the old masters to the latest in technology. Click through for links to the various events. (via Martyn Bull)

"In today’s article, we’re diving into Colorfront’s research on perceptual color processing to explore how these tools can help filmmakers."

A behind-the-scenes look at how Netflix is trying to help global teams leverage their infrastructure. Plus details on their migration to a new encoding platform.

If you've been thinking of writing something color-related: "The Colour Group’s first colour communication competition (deadlline is March 24). Colour may be approached from any perspective – art, psychology, physics, engineering or any other, but must be written engagingly for an informed and nontechnical audience. Each entry may be up to 1000 words, and may include up to 5 images," (via Martyn Bull)

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The Tools
Our craft keeps changing. And growing. Learn about updates to your favorite software. Discover new tools to help you work faster or more creatively. Build your toolchest with new techniques and approaches. 
The link is to the changelog on BMD's forum. I'm again unclear about the difference between Resolve 17.0 and 17.1? I've been assuming it's the universal binary of Apple Silicon. But minimum requirements on the download page say it's also for Windows 10. I know this: My one attempt at using a 17.1 beta was a disaster on my Intel Mac Pro. I'm not touching this one without a clear explanation of why (or if) they've forked their releases. Unless you're running Apple Silicon I advise sticking to 17.0 until we get a clear explanation.
Click through for a summary of the new release: "DIT Pack, a product bundle that includes Assimilate's Scratch and Live Looks for live grading single- and multi-camera setups."
(video) A Livestream recording: "Clourlab Ai now seamlessly integrates with Davinci Davinci Resolve color management allowing you to automate part of the process and get your project to a starting point that will greatly speed up and improve your workflow."
(video) Get a quick look at Resolve's 'auto reframe' function, auto-fitting a 16:9 into a 9:16 aspect ratio. Then, tweak the results.

(video) "Kevin Shaw gives an explanation and free template for structuring the folders for a color grading, finishing, editing or other post production project."

(podcast) Many Newsletter readers use Hedge or Post Lab. This is an interview with the CEO about those apps.
The Suite is updated to fix crashes with the latest release of FCP and Motion BUT... if you're using Colorista on FCP then do NOT update to the latest release of Final Cut, yet.

Photoshop for Apple Silicon was released this week. Adobe talks about transitioning their software.

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Pushing Photons
These stories are from MixingLight.com's membership Library of color grading articles, tutorials, and podcasts (Tao Of Color is co-Owner). Do you want to read a story listed here but not a member? Sign up for a free 7-Day Test Drive.​​​ There's also color correction Practice Projects for purchase.

(video) "Get up to speed on Resolve 17's new proxy workflow for lightning fast editing and grading performance when working remotely."

"How much should a post production artist charge for their work? Learn an easy step-by-step process that gives you confidence in your rates."

(video) "In the finale of the series, colorist Peder Morgenthaler puts what we've learned into action creative 3 looks with the Color Warper."

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Gear Heads
Stay updated on the latest hardware that's shipping - because the craft of color grading isn't just about software. Plus, keep an eye on future equipment trends and hardware odds-and-ends.

If you have clients judging your color work on one of their iDevices then you need to make sure they're set up properly.

Is your SSD slowing you down? "Several reasons can be responsible for slower SSD read or write speeds on Windows 10 or other operating systems."

Nice: "the new OWC Thunderbolt 4/USB-C cable, a universal cable that provides full capability for all Thunderbolt 3, Thunderbolt 4, USB-C, and USB4 devices. This new backward-compatible cable replaces the Thunderbolt 3 cable and takes all the guesswork out of identifying the cables you need for your technology setup."

(videos) A paid training title: "Once you’re familiar with the 3 modes of navigation using the search dial, you’ll learn how to mark the portion of the source clip you want to use in the timeline, then use the intelligent edit keys to append, insert and overwrite clips into the timeline without having to be precise about your playhead location."

Sunday Fun(nies)
Random thoughts, tidbits, and fun stuff that caught my attention this week. Maybe it's color grading-related. Maybe not. Ya got'ta read to the end of the Newsletter to find out.

(video) Fun and funny: "It gives off the impression of a standard drone flight, with a bird’s-eye view of the building itself. But things quickly shift as the pilot meticulously swoops the drone inside the open door of the bowling alley, maneuvering past diners and waiting bowlers before swooping down the alley itself alongside a spinning bowling ball." Then the video really takes off.

This is a real-world example of NFTs, that I shared a few weeks ago. If you're the artist, then it's a ton of fun: "Digital art has been largely neglected by the traditional art market, but one artist has made millions selling his work as non-fungible tokens (NFTs). And his work is now being auctioned at Christie's." (via Robbie Carman)
 
 
Th- th- th- that's all folks! I'll see you next Sunday.